In Unseen Roots, artist Megan Aline fills silhouettes with brush, autumn foliage, and tall, skinny trees that span from torso to crown. Her solo show at Robert Lange Studio in Charleston consists of dozens of acrylic works that expose a small glimpse of a landscape hidden within each figure. “As we become increasingly disconnected from the natural world, I think the memory of nature becomes even stronger inside each of us,” the artist shares. “If you only spent weekends in the woods or summers at your grandmothers or you have a park you visit from time to time, it becomes the quiet space inside you that you can escape to even when you aren’t there.”
To render the contemplative works, Aline paints inside a stenciled silhouette on panel, which creates crisp outlines of each figure—she shares videos of this process on Instagram—and visible brushstrokes in pastel and neutral tones comprise the paintings’ backdrops. “As an artist, I spend a lot of time reflecting inwardly as I paint outwardly,” she writes. “I like the idea that we have an ‘inner landscape,’ a map created from emotions, ideas, and sensations collected throughout our lives.”
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