In the World of Wearable Art, 88 Dramatic Garments Grace the Stage in a Spectacular Performance

In the World of Wearable Art, 88 Dramatic Garments Grace the Stage in a Spectacular Performance

Web Desk

Every year in Wellington, dozens of extravagant garments explode onto the stage for three weeks as part of the World of Wearable Art competition.

The annual performance is New Zealand’s largest theatrical production that highlights vast creativity translated through fashion and costume from around the globe. Of the 88 works from 103 international designers in this year’s contest, many are interpretations of the natural world with dried grasses pouring from sleeves and sculptural dresses mimicking coral patterns. No matter the materials or aesthetic, all of the garments have a flair for the dramatic.

In the 32 years since the competition launched, WOW has featured more than 5,000 garments on its stages, and it’s worth a visit to the contest’s site to peruse the archive.

A photo of a costume with pink ribbons suspended from the ceiling

Estère in the 2022 competition

Two photos of costumes, one with feathered wings and the other with multicolor spikes

Left: “Apocalyptic Angel,” Sherri Madison, of the United States. Right: “Wild Things,” Saar Snoek, of the Netherlands

A photo of a costume with a full bird-like face

“Call of the Kōkako,” Stephanie Cossens, of New Zealand

A photo of a costume made with white, coral like forms

“Life,” Sun Ye, Ma Yuru, Zhou Honglei, of China

A photo of a costume made of white plastic

“Plastic Marriage,” Allison MacKay and Gabrielle Edmonds, of New Zealand

Two photos of costumes, one on the left with rippled features and the other with elaborate beading

Left: “This Is the Pyrocene,” R. R. Pascoe, of Australia. Right: “The Giant Purse,” Thao Nguyen, of Vietnam

A photo of a costume that splays outward from the body

“X-Ray,” Lyndal Linton, Brett Linton, Harvey Linton, of New Zealand

Courtesy: colossal

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